In only his second public speech ever on art restitution, Ronald Lauder questioned the keenness of Bern to take the Gurlitt collection when it 'was probably stolen from Jewish homes by the Nazis'. The fact that only five works have so far been clearly identified as looted is, he says, likely due to the fact that most of the works in the collection are prints or drawings, which makes them hard to trace. Because of Bern's decision, he began to look at Switzerland’s role with 'lost art' and urges that term no longer be used, as it so misrepresents the thefts and 'sanitizes the crime', 'None of this art was “lost”', he says, so 'let's refer to it as stolen art'. Equally Switzerland should not continue to make the artificial distinction between art that was looted (Raubkunst) and art that was subject to a forced sale (Fluchtgut).
During the war, 'Switzerland quickly became a major center for Nazi stolen art' and justice remains to be done. Cases show 'a troubling lack of shame...these paintings should be given back to their rightful owners'. 'If people are honest, if they really want to solve this issue, if they have a conscience, then they should stop hiding behind excuses.' Reiterating the Washington Principles, he set out six requirements for fair and equitable solutions in Switzerland - and any country:
1. Stolen art must include all art losses caused by Nazi-persecution
2. Provenance research must be conducted pro-actively
3. Sufficient funds must be provided for provenance research
4. There must be complete transparency on all aspects of provenance research by means of one centralized internet database
5. One independent commission must be established to provide fair solutions
6. Auction houses must be open about looted works that they identify
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