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besluit van de Staatssecretaris van Onderwijs, Cultuur en Wetenschappen =
van 16 november 2001 voor drie jaar ingesteld. Ingevolge dit besluit =
heeft de Restitutie Commissie de taak de minister van OCenW van =
onafhankelijk advies te dienen over individuele verzoeken tot teruggave =
van cultuurgoederen waarover de eigenaar, door omstandigheden die direct =
verband hielden met het nazi-regime, onvrijwillig het bezit verloor.">
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  <TBODY>
  <TR>
    <TD class=3Dcontentheading width=3D"100%">Recommendation RC 1.105=20
  </TD></TR></TBODY></TABLE>
<TABLE border=3D0 cellSpacing=3D0 cellPadding=3D2>
  <TBODY>
  <TR>
    <TD>Date&nbsp;</TD>
    <TD>:&nbsp;</TD>
    <TD>3 May 2010&nbsp;</TD></TR>
  <TR>
    <TD>Case number</TD>
    <TD>:&nbsp;</TD>
    <TD>RC 1.105</TD></TR>
  <TR>
    <TD>&nbsp;</TD>
    <TD>&nbsp;</TD>
    <TD>Recommendation regarding:&nbsp;</TD></TR>
  <TR>
    <TD>&nbsp;</TD>
    <TD>&nbsp;</TD>
    =
<TD>Rosenberg</TD></TR></TBODY></TABLE>__________________________________=
_________________________________________________________________________=
______________________<BR>
<P>In a letter dated 29 October 2008, the Minister for Education, =
Culture and=20
Science (hereafter referred to as: =91the Minister') requested the =
Restitutions=20
Committee (hereafter referred to as: =91the Committee') to issue a =
recommendation=20
regarding the application submitted by J.L., of California, United =
States of=20
America (hereafter referred to as: =91the applicant'), on =
17&nbsp;December 2007=20
for the restitution of a commode in regency style. The claimed piece of=20
furniture was returned to the Netherlands after the Second World War and =
is=20
currently part of the National Art Collection under inventory number=20
NK&nbsp;256. The commode is currently on loan to the Dutch embassy in =
Brussels.=20
</P>
<H3>The procedure </H3>
<P>The reason for the application for restitution is a letter from the =
Origins=20
Unknown Agency (hereafter referred to as: =91the BHG') to the applicant =
dated 11=20
May 2007, in which the BHG informed the applicant of the possibility =
that=20
NK&nbsp;256 had once belonged to the applicant's =
grandfather.<BR><BR>Following=20
the Minister's request for a recommendation, the Committee instigated a=20
fact-finding investigation, the results of which were included in a =
draft=20
investigatory report dated 7 December 2009. The draft investigatory =
report was=20
sent to the applicant for comment in a letter dated 18 December 2009 and =
to the=20
Minister with a request for more factual information on 24 December =
2009. After=20
repeated deferral, the applicant provided no substantive comment on the =
draft=20
investigatory report. The State Secretary for Education, Culture and =
Science=20
(hereafter referred to as =91the State Secretary) informed the Committee =
on 15=20
March 2010 that she did not have any additional factual material that =
she would=20
like to bring to the Committee's attention.*<A title=3D_ftnref1=20
href=3D"http://www.restitutiecommissie.nl/en/rc_1.105/advies_rc_1.105.htm=
l#_ftn1"=20
name=3D_ftnref1>[1]</A> The investigatory report was subsequently =
adopted on=20
3&nbsp;May 2010. For the facts of the case, the Committee refers to this =
report.=20
The applicant was represented in this procedure by M. St=F6tzel, a =
lawyer in=20
Marburg (Germany). </P>
<H3>Considerations:</H3>
<OL>
  <LI>The applicant requests restitution of a commode in regency style =
(NK256),=20
  which is believed to have belonged to the applicant's grandfather, =
Saemy=20
  Rosenberg, and to have been confiscated by the occupying forces during =
the=20
  war. The applicant has declared that he is the grandson and sole heir =
of Saemy=20
  Rosenberg. In this context, the Committee has taken cognisance of a =
number of=20
  legal inheritance documents sent by the applicant, which have given =
the=20
  Committee no reason to question the applicant's status. <BR>
  <LI>Saemy Rosenberg (hereafter referred to as: =91Rosenberg') was born =
in Berlin=20
  on 27 July 1892. Together with his brothers Raphael and Siegfried =
Rosenberg=20
  and his cousins Eric and Hans Stiebel, he was employed by his uncle =
Isaak=20
  Rosenbaum in the latter's art dealership in Frankfurt am Main. With =
his=20
  brothers and cousins, Rosenberg would later continue this art =
dealership.=20
  Rosenberg moved to Amsterdam in April 1933, where he joined the board =
of=20
  management of <EM>=91N.V. Internationale Antiquiteitenhandel'</EM>. =
From 1938,=20
  the company was wholly owned by the four cousins from the Rosenberg =
and=20
  Stiebel families, who renamed it <EM>=91I. Rosenbaum N.V'</EM> =
(hereafter=20
  referred to as: =91Kunsthandel Rosenbaum'). When the Second World War =
broke out=20
  in September 1939, Rosenberg was in England, where he would stay and =
not=20
  return to the Netherlands. This means that when the Germans invaded =
the=20
  Netherlands in May 1940, Rosenberg was abroad, as were many of his =
family=20
  members who had already fled before 1940. In November 1940, Saemy left =
England=20
  for the United States, travelling via Mexico and Cuba. <BR>
  <LI>In its provenance investigation, the BHG concludes that the =
currently=20
  claimed commode (NK256) =91<EM>tijdens de oorlog door Dienststelle =
M=FChlmann in=20
  beslag is genomen</EM>' [was confiscated by Dienststelle M=FChlmann =
during the=20
  war], naming <EM>=91Rosenberg'</EM> as its possible owner. Rosenberg's =
alleged=20
  ownership of NK256 becomes apparent after studying the sources =
informing this=20
  conclusion, based on a post-war statement by M=FChlmann in relation to =
the=20
  commode's recuperation. After the war, the allied recuperation =
authorities=20
  transferred the commode from Austria to Munich, in relation to which =
M=FChlmann=20
  stated at the time that the commode in question came from: =
<EM>=91Rosenberg',=20
  =91Holland'</EM>. In October 1948, the commode was returned to the=20
  Netherlands.<BR>
  <LI>After the liberation, Rosenberg contacted the Netherlands Art =
Property=20
  Foundation (hereafter referred to as: =91the SNK') in an attempt to =
recover the=20
  items lost during the war, both from his private estate and from =
Kunsthandel=20
  Rosenbaum's trading stock. Rosenberg finally managed to secure the =
restitution=20
  of three commodes through the mediation of the SNK, two from his =
private=20
  estate and one that M=FChlmann had confiscated from Kunsthandel =
Rosenbaum in=20
  1942. In correspondence with the SNK, the last-mentioned commode was =
described=20
  as: <EM>=91Louis XV-commode'(..)</EM>, for which the Dienststelle =
M=FChlmann paid=20
  NLG6,500. Rosenberg viewed this commode himself at the time and =
identified it=20
  as former property of Kunsthandel Rosenbaum. <BR>
  <LI>With regard to the identification of the currently claimed commode =
(NK256)=20
  as an item that had been the property of Rosenberg, the Committee =
finds that=20
  the post-war statement by M=FChlmann referred to in consideration 3 is =
the only=20
  evidence suggesting that NK256 was part of Rosenberg's possessions. =
The=20
  Committee's investigation did not reveal any other sources on the =
basis of=20
  which NK256 could be identified as former property of Rosenberg.<BR>
  <LI>The following is known with regard to Rosenberg's personal effects =
during=20
  the occupation. In 1949, MsE.C.M. Peters, who was de facto director of =

  Kunsthandel Rosenbaum during the war, wrote to the SNK that =
Rosenberg's entire=20
  estate, which was stored at the Firma de Gruyter firm, had to be =
handed over=20
  to the German looting organisation <EM>Sammelverwaltung feindlicher=20
  Hausger=E4te</EM> in early 1941. On the instructions of this=20
  <EM>Sammelverwaltung,</EM> Rosenberg's estate was then auctioned at =
the Marle=20
  &amp; Bignell auction house in The Hague on 18 June 1941 and the =
following=20
  days. At this auction, Kunsthandel Rosenbaum, under the direction of =
Peters,=20
  bought a number of items from Rosenberg's private estate in an attempt =
to=20
  secure them. With regard to the commode confiscated from Kunsthandel=20
  Rosenbaum, referred to in consideration 4, it is known that in the =
course of=20
  1941, the Dienststelle M=FChlmann conducted an investigation into the =
property=20
  of this art dealership, after which, in March 1942, the Dienststelle=20
  confiscated a number of items, including, as evidenced by the =
investigation, a=20
  commode described as <EM>=91Kommode van Cressent, Hfl. 6.500,-'</EM> =
[commode by=20
  Cressent, NLG 6,500]. The Committee's investigation produced no =
evidence that=20
  the Dienststelle M=FChlmann had any commodes from either Rosenberg or =
Rosenbaum=20
  in its possession other than the <EM>=91Louis XV-commode'</EM> =
referred to in=20
  consideration 4 above.<BR>
  <LI>From the above factual account, the Committee concludes that =
during the=20
  war, M=FChlmann had only one Rosenbaum commode in its possession and =
that=20
  Rosenberg, identifying this commode as former property of Kunsthandel=20
  Rosenbaum, bought it back after the war. The Committee looked more =
closely=20
  into the question of how M=FChlmann's statement regarding NK256 =
tallies with the=20
  above and found that the commode repurchased by Rosenberg at the time, =
a photo=20
  of which from the Bundesarchiv Koblenz is in the Committee's =
investigation=20
  file, bears a great resemblance to NK256 in terms of style. The =
investigation=20
  also revealed that the commode repurchased by Rosenberg was damaged =
and that=20
  the marble plate was missing, which, remarkably, was also the case =
with NK256=20
  (at the time of its recuperation). In archival research into the =
commode=20
  repurchased by Rosenberg, the Committee found the entry =
<EM>=91Fischhorn'</EM>,=20
  which suggests that, like NK256, this piece of furniture ended up at =
the=20
  Austrian castle <EM>Schloss Fischhorn</EM> after it had been =
confiscated by=20
  the Dienststelle M=FChlmann.<BR>
  <LI>According to the Ekkart Committee's eighth recommendation of April =
2001=20
  concerning private art property, the title to art objects has to be =
proved=20
  with a high degree of probability, and there can be no indications to =
the=20
  contrary in order for a claim to be awarded.<BR>It appears from the =
above that=20
  the sole indication that NK256 had been Rosenberg's property was found =
in=20
  M=FChlmann's post-war statement as referred to in consideration 3 that =
the=20
  currently claimed commode was part of the <EM>=91Rosenberg' =
</EM>estate. As no=20
  first name or initials were mentioned, it is unclear exactly which =
Rosenberg=20
  is meant. It appears from a source in the archive of the Council for =
the=20
  Restoration of Rights that there were at least 29different Rosenbergs=20
  registered as =91<EM>gedepossedeerde</EM>' [dispossessed]. At the same =
time, it=20
  was established that the Dienststelle confiscated a commode from =
Kunsthandel=20
  Rosenbaum in 1942 that bears a resemblance to NK256. With regard to =
this=20
  commode, however, it has been established that Rosenberg viewed it =
after the=20
  war and identified it as former property of Kunsthandel Rosenbaum, and =
was=20
  subsequently able to regain possession of it through the mediation of =
SNK.=20
  Based on this information, the Committee deems it likely that the =
commode=20
  repurchased by Rosenberg and the currently claimed commode (NK256) =
were so=20
  similar that the two commodes were mistaken for one another during the =

  recuperation from <EM>Schloss Fischhorn</EM> and that M=FChlmann's =
statement=20
  related to the commode repurchased by Rosenberg instead of NK256. =
Accordingly,=20
  the Committee finds that there is insufficient proof that the commode =
(NK256)=20
  was the property of Rosenberg, either privately or in his capacity as =
art=20
  dealer.</LI></OL><BR>
<H3>Conclusion</H3>
<P>The Restitutions Committee advises the State Secretary for Education, =
Culture=20
and Science to reject the application for the restitution of the commode =
in=20
regency style (NK&nbsp;256). <BR><BR>Adopted at the meeting of 3 May =
2010 by=20
W.J.M. Davids (chair), J.Th.M. Bank, P.J.N. van Os, D.H.M. Peeperkorn, =
H.M.=20
Verrijn Stuart, I.C. van der Vlies (vice-chairman) and signed by the =
chair and=20
the secretary. <BR><BR>(W.J.M. Davids,=20
chair)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
(E. Campfens, secretary) </P><BR>
<HR>

<P>*<A title=3D_ftn1=20
href=3D"http://www.restitutiecommissie.nl/en/rc_1.105/advies_rc_1.105.htm=
l#_ftnref1"=20
name=3D_ftn1>[1]</A> On 24 February 2010, the State Secretary for OCW =
took over=20
the restitution file from the Minister. </P><BR><BR>=AB <A=20
href=3D"javascript: history.go(-1)">Previous=20
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